Waves FIT Controller for eMotion LV1

eMo IEM is a powerful software tool for immersive in-ear mixing, giving performers a comfortable, natural sound right in their ears-no extra gear needed. Designed to work with the Waves eMotion LV1 mixer, this software lets you pan every sound source in a full 360 degree space, helping musicians hear where each element is coming from, just like in a real acoustic environment. That means more clarity, less ear fatigue, and an overall better monitoring experience on stage.

Setup is simple: just enable IEM mode on an Aux channel in the LV1 mixer, and control the 360 degree mix directly from the console or using the MyMon and MyFOH mobile apps. You can move instruments around the space visually using easy-to-use pan tools-drag, drop, and adjust with your finger. eMo IEM runs on LV1 software v15 or higher, and once it's activated, every mix becomes more immersive and personal. It's a game-changer for live performance monitoring.

• 64 mono/stereo input channels

• 44 mono/stereo buses: 8 groups, 24 auxes, 8 matrices, 3 master, cue

• Double Precision 32-bit floating point mix engine (44.1"96 kHz)

• Latency as low as 0.8 ms

• 21.5" multi-touch screen with 1000 Nit brightness

• 16+1 motorized 100 mm Alps faders

• 16+1 precision encoders, with mini-displays including per-channel LCD metering

• Select/Mute/Solo keys per channel

• 16 layers with utility keys and tempo pad

• 16+2 user-customizable shortcut keys

• 16 Waves Signature Preamps with mic/line inputs

• 12 line outputs, 2 AES3 outputs, AES3 SRC input

• Internal ultra-low-latency Waves SoundGrid DSP engine handles processing

• Add more I/O: Up to 14 SoundGrid-compatible devices, including Dante and MADI convertors

• Add up to 3 processing servers and 4 backup servers

• 4 SoundGrid switch ports: 2 Ethercon + 2 Rj45

• 8-slot rack hosts 8 plugins per input channel + all mix channels

• Plugins included with the console: F6 Dynamic EQ, Waves Tune-Real Time, eMo Q4 EQ, eMo D5 Dynamics, eMo F4 Filter, GEQ 30-band EQ, X-FDBK Feedback Eliminator, PSE (Primary Source Expander), Mic Bleed Reduction, Renaissance Compressor, Renaissance Bass, Doubler, H-Delay, Renaissance Reverb, TrueVerb, Magma Tube Channel Strip, GTR3

• 160 additional award-winning Waves plugins available as upgrades

• Immersive in-ear mixing available as software upgrade (eMo IEM)

• Dugan auto-mixing available as software upgrade

• Custom options for mixing layout

• Intuitive control over each channel's parameters

• Patch system-wide connections

• Custom colors per channel

• Unicode multi-language support

• Up to 1000 scenes with Recall Safe and Scope Filters

• 8 Mute groups and 16 Link DCAs with Spill function

• Digital preamp control with local V-Gain tracking for sharing

• Multiple outputs per channel with delay alignment controls

• Record 16 tracks locally to USB / 128 tracks to remote computers

• Stereo playback from USB

• Remote control apps for mobile & tablet, for both FOH and stage

• Size: 22" (560 mm) x 15.8" (402 mm) x 22.1" (561 mm)

• Weight: 38 lbs. (17.2 kg)

GENERAL SPECIFICATIONS:

Immersive 360 in-ear monitoring software

Software add-on for Waves eMotion LV1 mixer (v15+)

Requires separate license, install via Waves Central

No external hardware required

Available on any AUX mix (Monitor or EFX)

IMMERSIVE MIXING FEATURES:

Enables full 360 panning per channel

Immersive mix sends indicated with "head" icon

More natural spatial imaging for performers

Comfortable long-term monitoring over IEMs

Enhanced instrument separation and detail

CONTROL OPTIONS:

Controlled from eMotion LV1 mixer interface

Full mobile/tablet support via:

Waves MyMon (iOS/Android)

Waves MyFOH (iOS/Android)

MyMon: Pan Ball 360, volume fader, IEM MultiView

MyFOH: Sends-on-Faders view, immersive panning per layer

SESSION INTEGRATION:

Pan positions and immersive mix states saved per snapshot

Easy activation via AUX Channel Config > IEM or MON/EFX Layer Mode

APPLICATION USE:

Ideal for live performance in-ear monitor systems

Allows performers to locate each instrument in a 3D sound field

Reduces listener fatigue, improves monitoring accuracy