AEA N22

THE BIG RIBBON REIMAGINED The near-field N22 is a modern ribbon mic that challenges expectations of traditional ribbon technology and can reframe the way you record with ribbons.

It delivers clarity and balance in frequency response, even when positioned just inches from the source, and can stand alone in a mix without the need for the blending additional mic signals due to its extended top-end.

A NEW APPROACH The N22 can be positioned inches away from an instrument and retain a balanced sound with extended top end while avoiding the room tone that can cause problems in smaller spaces or iso booths. This is what makes the N22 special.

It exhibits a high-frequency bump at 3kHz making it ideal for recording vocals, electric guitar, bass cabs, kick drum, acoustic guitar, and percussion. It is best to think of the N22's placement in terms of inches instead of feet.

The N22 naturally reduces proximity effect while also avoiding the room tone that can cause problems in smaller spaces or iso booths. Naturally rolling off the low-end before it hits the ribbon creates a much different sound than using electronic equalization to roll off the low-end in post.

A RUGGED, ROADWORTHY COMPANION With increased durability and a small profile, it's no wonder that a wide range of performers use AEA's NUVO series microphones on the road. The mics are totally rugged and hold up to daily wear and tear.

From outdoor gigs at music festivals to indoor theaters, NUVO mics are the perfect companion to bring the sound of studio recordings to the live stage. With the NUVO Windscreen, never worry about the ribbon - even at windy gigs.

On the Road with the N22 Bands now using N8s and N22s on the road include Bonnie Raitt, Alicia Keys, Aerosmith, Grizzly Bear, Mitski, Marty Stuart and his Fabulous Superlatives, Alabama Shakes, War On Drugs, Local Natives, The Head and The Heart, Sara Watkins, Kurt Vile, Deerhunter, Jamestown Revival, JOHNNYSWIM, Brandi Carlile, Autolux, Foxygen, Kruger Brothers, Cam, Pedro the Lion, The Districts, Valerie June, Mitski, King Krule, The Head and The Heart, Ben Harper, Ought and more.

• Extended top end with a ribbon's classic warmth

• Near-field ribbon mic with reduced proximity effect

• Balanced frequency response at 1 to 18 inches from the source

• Compact, lightweight design with rugged durability

• Active electronics and custom transformer optimized for all preamps

• Made in the U.S.A.

• Operating Principle: Pressure gradient microphone

• Directional Pattern: Bidirectional or Figure-of-8

• Frequency Range: 20 Hz to 20 kHz

• Maximum SPL: 141 dBSPL (1% third harmonic > 1 kHz)

• Output Sensitivity: 6.2 mV/Pa (-33.5 dBV) into unloaded circuit

• Output Impedance: 92 broadband

• Recommended Load Impedance: 1.0 k or greater

• Powering: P48 phantom power, 7 mA

• Polarity: Pin 2 high for positive pressure at the front of the microphone.

• Connector: XLR-3M

• Polar Pattern: Native bidirectional pattern

• Horizontal: Level changes with angle, frequency response is consistent, -35 dB null at 90 / 270

• Vertical: Level changes with angle, reduced HF response above and below 0 / 180 axis, -35 dB null at 90 / 270

• Ribbon Thickness: 1.8 (0.0000018 m) of pure aluminum

• Ribbon Width: 0.185" (4.7 mm)

• Ribbon Length: 2.35" (59.7 mm)

• Included: Storage / shipping case, microphone stand clip, custom protective mic sleeve, user manual

• Optional: Matched stereo pair

• Limited Warranty: One year parts and labor, shipping not included. Three year extended warranty if the product is registered.

• Weight with Cable: 1 lb 13 oz (810 g)

• Weight with case: 12 oz (335 g)

• Height: 8.83" (32.4 cm)

• Width: 1.62" (4.1 cm)

• Depth: 1.62" (4.1 cm)