AEA R84

A WORKHORSE RIBBON The R84 series quickly endears itself to engineers and musicians due to its remarkably expansive frequency range, complete with sweeping highs and booming lows.

The R84 series' balanced and manageable proximity effect bolsters the low-end of vocals, drums, and brass, from just feet away. A ribbon mic as multi-purpose, lightweight, and maneuverable as the R84 is well-suited for both close-range and ambient mic applications.

The R84A retains the same sonic character of the R84 but offers an additional 12dB of output and a stable impedance that allows flexibility when recording quiet sources through any preamp.

A MODERN CLASSIC R84 series ribbon mics are a staple in numerous recording studios because of a unique tonality and classic sound. The smooth, high-frequency roll-off and reduced sibilance of the R84 make it the first choice for engineers when tracking vocals or other instruments that often sound harsh when recorded with condenser mics. The R84's accentuated mid-range captures the unique qualities of many instruments with detailed elegance. Its remarkable low-end response is perfect for adding heft to the sound of drum kits or otherwise thin vocals. R84 series mics perform well on practically any voice or musical instrument, making them highly useful in recording and broadcast studios.

BIG SOUND IN COMPACT WAY In 2000, AEA sought to design a more compact, lightweight and economic version of the hefty, eight-pound RCA 44BX. The result was the R84, which retains the best traits of the 44 series in a lower cost, three-pound package.

The R84 and original RCA 44 (now the AEA R44C) share the same Big Ribbon element, transformer and other mechanical elements by design. By using modern design techniques and stronger, more compact magnets, the R84 retains the classic RCA ribbon sound.

The R84 boasts improvements on the 44 design- including more manageable proximity effect, more extended top-end, vibration isolation and greater maneuverability on small stages and in small studios. The microphone's U-shaped yoke acts as a shock mount and enables the user to position the R84 at various angles, even on a straight mic stand.

WHICH MODEL IS FOR ME The R84 and R84A are almost identical in sound.The R84A is an R84, but equipped with custom-made Lehle transformer and active electronics. Though the two versions of the microphone sound very similar and both deliver the classic ribbon sound, they have different requirements. The choice between the R84 and R84A is contingent on the specific needs of an engineer and their environment.

• Warm, smooth and detailed classic ribbon sound

• Full and rich tonality with generous highs and lows

• Sonically similar to the legendary R44 Series, with less proximity effect

• Versatile in close-range or ambient applications

• Active R84A version has 12db level increase and is optimized for all preamps

• Made in the U.S.A.

• Operating Principle: Pressure gradient microphone

• Directional Pattern: Bidirectional (Figure-of-8)

• Frequency Range: 20 Hz to 20 kHz

• Maximum SPL: 165+ dBSPL (1% third harmonic > 1 kHz)

• Output Sensitivity: 2.5 mV/Pa (-52 dBv/Pa) into unloaded circuit

• Output Impedance: 270 nominal

• Recommended Load Impedance: 1.2 k or greater

• Powering: Not required or recommended

• Polarity: Pin 2 high for positive pressure on front of microphone.

• Connector: XLR-3M wired to a 3 m captive cable

• Polar Pattern: Native bi-directional pattern

• Horizontal: Level changes with angle, frequency response is consistent, -35 dB null at 90 / 270

• Vertical: Level changes with angle, reduced HF response above and below 0 / 180 axis, -35 dB null at 90 / 270

• Ribbon Thickness: 1.8 (0.0000018 m) of pure aluminum

• Ribbon Width: 0.185" (4.7 mm)

• Ribbon Length: 2.35" (59.7 mm)

• Weight with Cable: 3 pounds (1.36 kg)

• Height: 11.6" (29.5 cm)

• Width: 3.9" (9.9 cm)

• Depth: 2.5" (6.4 cm)