🎄 FERMÉ POUR LES VACANCES DE NOËL 🎄
SKU : 17233

SPL Control One


$839.00 CAD
Frais de livraison calculés lors du paiement.

*C'EST PEUT-ÊTRE LÀ QUE NOUS AVONS MIS LE MESSAGE SPÉCIAL INCLUS AVEC LE PRIX SPÉCIAL DE BUSINESS CENTRAL*


Talk to our experts
Our team of experts is here to support you.

Financement

Affirmer

Divisez votre achat en paiements mensuels faciles, avec une approbation rapide et sans frais cachés.
Cliquez ici pour plus d'informations.

Equilease

Idéal pour les achats plus importants, Equilease propose des solutions de financement personnalisées adaptées aux besoins de votre entreprise.
Cliquez ici pour plus d'informations.

Livraison et expédition

Livraison gratuite au Canada pour les commandes de plus de 200 $. Des conditions s'appliquent. Voir les détails ici .

Retours et politique

Vous pouvez consulter nos conditions générales ici

Description

NUMBER ONE IN SOUND For us the sound is always in the foreground. When it sounds good, we like to listen. To get such a sound, you need experience and technical finesse. We have incorporated both into the Series One.

Speaker & Subwoofer You can listen to your production via two switchable pairs of speakers. A subwoofer is also switched on and off with speaker pair A.

In the middle position of the switch, the speakers are switched off, which is convenient because you don't have to turn the volume control back.

Two Stereo Inputs Two analog stereo inputs can be connected to the Control One for sources such as a DA converter, CD player, mixing console, synthesizer or analog tape machine/tape deck, which can also be listened to mixed together (1+2).

Line Out The selected input signal is output unchanged at the Line Out. This allows the Control One to be looped between devices without "losing" an output.

If, for example, several people are to listen in via headphones, a headphone amplifier can simply be connected to the Line Out. You can also record the signal analog or send it to a mixer for further processing.

Three Monitoring Modes are offered by the Control One. In the middle is the default setting "Stereo". To check the mono compatibility set the switch to "Mono". The special feature is the channel swap function:

L/R > R/L reverses the stereo image. L/R becomes R/L. This is especially important and extremely time-saving when you are searching your sound library for samples in video dubbing that should match a scene with direction of movement.

If the direction is not correct, you usually have to load the sample into the DAW to switch channels before you can hear if the sample fits.

With the L/R > R/L function this is no longer necessary. You can now simply swap the direction of movement while prelistening samples in the library.

The Headphone Power Amp Not here. Control One delivers a rich headphone sound and it can get really loud.

The output stage of the headphone amplifier is designed as a push-pull amplifier in class AB mode. The bipolar transistors share the amplification of the positive and negative half-waves, which produces a higher gain and a higher output voltage than in Class A operation, where only one transistor amplifies both half-waves.

The output stage transistors are thermally coupled and thus run particularly coherently, which contributes to a consistent and stable sound image.

The power supply has a buffer circuit with low source resistance, ensuring generous current reserves even when driving low-impedance headphones.

The Revolution in the headphone amplifier is the Phonitor Matrix, with adjustable crossfeed, thanks to which you can create mixes with headphones that sound the same on speakers.

The Phonitor Matrix in its largest expansion stage has three parameters: Crossfeed, Speaker Angle and Center Level.

In the Control One, the center level is preset to -1 dB and the speaker angle to 30. These are the most commonly used values. The crossfeed function determines the so-called interaural level difference. The intensity of the crossfeed is fully variable. At the beginning of the control path the crossfeed circuit is not in the audio path. Dialing the control in switches on the crossfeed circuit via relay (hysteresis circuit). The audio signal therefore does not pass through the crossfeed stage if this is not desired.

Best fit If the active speakers or the power amplifier are very sensitive the playback may already be fairly loud when the Volume control is in the first third of its control range. By activating the -10 dB dip switch the output level is lowered to accommodate for a wider usable range of the Volume control.

With the Rec 1+2 dip switch both line inputs are mixed together and can be recorded via USB.

Power Supply Good sound always starts with the power supply. This is where you lay the foundation for the performance of the entire device.

Although we "only" supply a 12 V plug-in power supply unit, the secondary power supply inside generates a voltage level of +/-17 Volts for the analog audio sections with which professional levels of up to +22.5 dB can be achieved!

An elaborate low-drop operating voltage regulation provides more "juice" and regulates cleanly even when the maximum operation voltage is reached.

The Control One delivers full power when used with the included 1.5 A power supply. Only use the 12 V plug-in power supply unit within the scope of delivery. The ON-switch puts the Control One into operation.

Caractéristiques

ANALOG INPUTS & OUTPUTS; 6.35 MM (1/4") TRS JACKS:

INPUT GAIN (MAX.):

+22.5 dBu

LINE INPUT 1 (BALANCED) INPUT IMPEDANCE:

20 k

LINE INPUT 1 COMMON MODE REJECTION:

< 60 dB

LINE INPUT 2 (UNBALANCED) INPUT IMPEDANCE:

10 k

OUTPUT GAIN (MAX.) SPEAKER OUTPUTS (600 ):

+22 dBu

LINE OUTPUT (UNBALANCED) OUTPUT IMPEDANCE:

75

SPEAKER OUTPUT 1 (BALANCED) OUTPUT IMPEDANCE:

150

SUB OUTPUT LOW FILTER:

none (full range)

SUB OUTPUT (BALANCED) OUTPUT IMPEDANCE:

150

SPEAKER OUTPUT 2 (UNBALANCED) OUTPUT IMPEDANCE:

75

FREQUENCY RANGE (-3DB):

10 Hz - 200 kHz

DYNAMIC RANGE:

121 dB

NOISE (A-WEIGHTED, 600 LOAD):

-99 dBu

TOTAL HARMONIC DISTORTION (0 DBU, 10 HZ - 22 KHZ):

0.002 %

CROSSTALK (1 KHZ):

< 75 dB

FADE-OUT ATTENUATION:

-93 dB

HEADPHONES OUTPUT; 6.35 MM (1/4") TRS JACK:

WIRING:

Tip = Left, Ring = Right, Sleeve = GND

SOURCE IMPEDANCE:

20

FREQUENCY RANGE (-3 DB):

10 Hz - 200 kHz

NOISE (A-WEIGHTED, 600 ):

-97 dBu

THD + N (0 DBU, 10 HZ - 22 KHZ, 600 ):

0.002 %

THD + N (0 DBU, 10 HZ - 22 KHZ, 32 ):

0.013 %

MAX OUTPUT POWER (1 KHZ, 600 ):

2 x 190 mW

MAX OUTPUT POWER (1 KHZ, 250 ):

2 x 330 mW

MAX OUTPUT POWER (1 KHZ, 47 ):

2 x 400 mW

FADE-OUT ATTENUATION (600 ):

-99 dB

CROSSTALK (1 KHZ, 600 ):

-75 dB

DYNAMIC RANGE:

117 dB

INTERNAL POWER SUPPLY:

OPERATING VOLTAGE FOR ANALOG AUDIO:

+/- 17 V

OPERATING VOLTAGE FOR HEADPHONE AMPLIFIER:

+/- 19 V

OPERATING VOLTAGE FOR RELAYS AND LEDS:

+ 12 V

EXTERNAL POWER SUPPLY:

AC/DC SWITCHING ADAPTOR:

Mean Well GE18/12-SC

DC PLUG:

(+) pin 2.1mm; (-) outside ring 5.5mm

INPUT:

100 - 240 V AC; 50 - 60 Hz; 0.7 A

OUTPUT:

12 V DC; 1.5 A

DIMENSIONS & WEIGHT:

W X H X D (WIDTH X HEIGHT INCL. FEET X DEPTH):

210 x 49,6 x 220 mm

8.23 x 1.95 x 8.66 inch

UNIT WEIGHT:

1.5 kg

3.3 lbs

SHIPPING WEIGHT (INCL. PACKAGING):

2 kg

4.4 lbs

Reference: 0 dBu = 0,775V. All specifications are subject to change without notice.

Paiement et sécurité

  • American Express
  • Apple Pay
  • Diners Club
  • Discover
  • Google Pay
  • Mastercard
  • PayPal
  • Shop Pay
  • Visa

Vos informations de paiement sont gérées de manière sécurisée. Nous ne stockons ni ne pouvons récupérer vos informations de carte bancaire.