SPL DeEsser Mk2

The SPL DeEsser is unique - and has been since 1996. The Auto Dynamic DeEsser removes undesired sibilant frequencies in a simple and musical way, cancelling out S-sounds without affecting the natural character or timbre of the voice.

The newest generation of the DeEsser Mk2 features the same processing qualities as its predecessor, but comes in a new design and has an even better feel due to the solid aluminum knobs. The DeEsser Mk2 offers two mono DeEssers in one 19" device.

Auto-Dynamic DeEsser SPL DeEsser - the revolution of S-sound reduction. The De-Esser uses a unique technology to reduce sibiliance in a mix or on vocal tracks. It automatically detects and hones in on the sibilant frequencies leaving neighboring frequencies unaffected. These S-sounds are mixed back into the main signal phase-inverted to cancel out the sibilance. The result is a sound-neutral, inconspicuous and extremely effective process. Even at high S-Reduction values the de-essing has an egligible effect on the character and timbre of the voice.

S-Reduction The S-Reduction control adjusts the intensity of the S-sound reduction. In practice, S-Reduction settings between -2 dB and -8 dB achieve the best results for most applications.

LED-display The S-Reduction LED display visualizes the intensity of the S-sound reduction between 0 dB and -20 dB in 2 dB steps.

Auto The Auto switch activates the Auto Dynamic function. This automatically adjusts the threshold if the input level fluctuates due to varying distance to the microphone which leads to fluctuating input levels. With Auto-Threshold engaged, the de-essing intensity remains constant at the value you set with the S-Reduction control. This is a great help not only for inexperienced voice-over artists, but also in live situations.

Female The Female switch is used to adapt to the voice characteristics: When the switch is pressed, the Female mode is selected. The automatic S-sound detection now reacts more intensively to higher-frequency S-sounds. The unpressed switch position selects the Male mode to adapt the S-sound detection to male voice characteristics. Lower-frequency S-sounds are processed.

In addition, the mid frequency of the S-sound detection is increased from Male mode to Female mode. For male voices the mid frequency is at about 6 kHz, for female voices at just under 7 kHz. Nevertheless, you should not necessarily choose the Male position for male voices and the Female position for females. Always listen to the pitch and tone of the S-sound and try both positions.

On The On switch, activates or deactivates the respective channel. This allows you to quickly switch between processed and unprocessed signal.

To minimize switching noises, switching is performed directly after the balanced inputs and outputs. This relay hard bypass circuitry also provides immediate redirection of inputs to outputs in the event of a power fault on the primary or secondary side of the power supply, or if the device is powered off.

ANALOG INPUTS & OUTPUTS; XLR (BALANCED):

Maximum input gain: 1 dBu

Input impedance: 2k ohm

Maximum output gain: 1 dBu

Output impedance: 600 ohm

Common mode rejection (1 kHz): 82 dB

Frequency range (-3 dB): 10 Hz " 100 kHz

THD + N (0 dBu, 10 Hz - 22 kHz): -90 dB

Noise (A-weighted): -97 dB

Dynamic range: 118 dB

INTERNAL LINEAR POWER SUPPLY WITH TOROIDAL TRANSFORMER:

Operating voltage for analog audio: +/- 15 V

Operating voltage for relays and LEDs: +12 V

MAINS POWER SUPPLY:

Mains voltage (selectable): 30 V AC / 50; 115 V AC / 60 Hz

Fuse for 230 V: 200 mA

Fuse for 115 V: 400 mA

Power consumption: Max. 15 W

DIMENSIONS & WEIGHT:

W x H x D (width x height x depth): 482 x 44 x 237 mm, 19 x 1.73 x 9.33 inch

Unit weight: 3

,:

3 kg, 7,27 lbs

Shipping weight (incl. packaging):

4:

,45 kg, 9,81 lbs